Sarah Thornton, Gary Romans, and Dalene Young |
By Tina Arth and Darrell Baker
Evidently, divorce is not always a bad thing. It was
allegedly Neil Simon’s split from actress Marsha Mason that indirectly inspired
Fools, one of the funniest shows
we’ve seen all year. An embittered Simon, faced with a settlement that awarded
royalties from his next show to Mason, set out to write a total failure – but
happily for audiences, he (ultimately) failed.
Broadway crowds, used to the urbane sophistication of
Simon’s usual fare, gave the show a poor reception when it opened in 1981.
However, Fools has been delighting
less rarefied audiences across the country for the last 33 years, and the
current production at the HART clearly illustrates why. The story is absurd,
the premise ridiculous, but Simon’s
words, shaped by Director Stephen Kelsey and delivered by a strong cast, are
genuinely laugh-out-loud hilarious.
Long ago a curse was laid on the inhabitants of a remote
Russian village by the angry father of a deceased, less-than-brilliant young
man. All of the townsfolk would be forever stupid – really, really stupid –
unless the daughter of the (formerly) brightest family in town wed a son of the
curse-laying family – OR until a teacher was able to (in 24 hours, no less)
nudge the daughter’s IQ toward some unspecified magic number (100?). The
teacher falls for the daughter, but realizes that he will never achieve his
goal in the time allotted. In a stroke of masterful subterfuge (at least by
local standards) the teacher pretends to be a long-lost member of the
curse-laying clan, marries the daughter, and releases the town from the curse.
Of course, adept audience members (perhaps from another, brighter, village)
will discern that the curse should not have been lifted since the conditions
were met fraudulently. Remember Dumbo?
Timothy the Mouse pulled the same trick, and it worked then, too!
In a solid 10-person cast, clear comic standouts are Gary
Romans (Dr. Zubritsky), Dalene Young (his wife Lenya), and Helena Greathouse
(Yenchna, the peddler). Romans’ delivery, sense of timing and fluid facial
expressions elicit some of the biggest laughs of the evening. Young is his
perfect foil – a wide-eyed, good-hearted, slow-witted version of Imogene Coca.
Greathouse – earnestly offering flowers as fish from her wagon (why should she suffer
just because the fishermen had a bad day?) – plays her role with the intensity
of Lady MacBeth, but coming from her it’s a lot funnier.
The roles of straight man and ingénue are generally limited
in comic potential by their functions. Mitchell Stephens (the teacher
Tolchinsky) and Sarah Thornton (Sophia Zubritzky) overcome this handicap with a
combination of acting ability and, let’s face it, sheer cuteness. Thornton’s
shining moment, when she demonstrates that she has nearly mastered the art of sitting
down, is riveting, and Stephens frequent asides draw the audience into the
bizarre, Brigadoon-ish village in
which he finds himself.
Nobody plays bewildered better than Tony Smith, and as
“Something Something Snetsky,” the Shepherd, he carries on his grand tradition.
Brandon B. Weaver’s clipped, delivery (as the evil Count Gregor) bristles with
befuddled menace. Thomas Wikle, Debby McKnight, and Jerry Hathaway fill out the
cast with the requisite quirkiness.
Fools may be
joke-riddled, but the HART was dead serious about the set – it is cleverly
designed for ease of movement, and the interiors and exteriors are painted and
papered to perfection – even in a relatively short show, audiences appreciate
fast scene changes!
Fools runs through
Sunday, September 21st with performances at 7:30 p.m. on Fridays and Saturdays
and 2:00 p.m. on Sundays at H.A.R.T. Theater, 185 S.E. Washington, Hillsboro.
No comments:
Post a Comment