Doug Sellers, Steve Koeppen, and Brandon B. Weaver |
By Tina Arth
Local audiences who think they know what to expect from
HART’s offerings will definitely be surprised by Reunion, the Hillsboro theatre company’s opening salvo in a busy
fall season. Playwright Gregory Moss’ tale of three high school friends meeting
up at their 25th high school reunion seems, at first, like just
another buddy story – overaged bros trying to recapture their high school
heyday long after they should have grown up – but it gradually descends into a
gripping mixture of comedy and drama that carries the audience on disturbing
emotional roller coaster. While the story ultimately doesn’t deliver many new
insights into the human condition, this production is still well worth a few
hours just for the opportunity to watch three actors deliver powerful
performances that create three compelling and absolutely distinctive
characters. Director Meghan Daaboul and her team leave nothing to chance, and
the show’s success derives from that close attention to detail.
Peter, Max, and Mitch get together after their reunion in
the same grubby, suburban Boston-area motel room where they spent their last
night night together – the night of their high school graduation. Starting with a cooler full of Rolling Rock
and moving on to the hard stuff, the men eventually descend into the same rowdy
inebriation that led them to trash the room years earlier – with similar
results. Uptight recovering alcoholic Max unwinds as he falls off the wagon,
while the eager and easily manipulated Peter tries to please all of the people
all of the time, including the wife he has left at home with a sick baby. The
ringmaster is Mitch, a grimy loser who still lives in his parents’ home and who
has orchestrated the evening’s events for his own reasons. As the night wears
on they tear down the barriers imposed by 25 years of separation, and revisit a
past remembered very differently by each man. The stories that emerge are not pretty,
revealing the dark underbelly of male bonding rituals and gradually revealing
the extent to which each character has moved on from his adolescent drama and
trauma.
Brandon B. Weaver creates a wonderfully repressed,
conflicted Max, clearly reluctant to reconnect with his old buddies and the
memories they threaten to resurrect. Steve
Koeppen, as third wheel Peter, initially projects a pathetic nerdiness, but his
character gradually evolves into the grownup in the room. His monologue about
always feeling like an outsider makes him surprisingly relatable, and is one of
the most moving moments in the show. Doug Sellers is easy to hate as the tough
guy, still playing the bully 25 years later – but his total denial is colored
with just enough pathos that we are able to sympathize when he opens up at the
climax. The show’s chronology dictates that the three men should be about the
same age (in their early 40s) – it is a testament to the skill of the
performers that we are able to suspend disbelief, since two are clearly well
over a decade older.
The carefully crafted performances are supported by
precision in costume (Doug’s ruffled shirt is worth a thousand words), sound,
and lighting. The detailed set captures the time and place perfectly, dressed
for a grubby realism without a hint of parody.
Given its usual patrons, HART probably would not survive in
Hillsboro if shows like Reunion were
the norm – it’s just not what local audiences are used to. However, it’s a
powerful show that demands respect for the strength of the performances and
production values. The program warns of explicit adult content, strong
language, strobe lights, tobacco, and alcohol – all things to consider, but no
reason for audiences to stay away if they are up for the challenge.
Reunion is playing
at the HART Theatre, 185 SE Washington, Hillsboro through Sunday, September
22nd, with performances Friday and Saturday at 7:30 p.m. and Sunday at 2:00
p.m.
No comments:
Post a Comment