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Deborah Leinen as diva Athena Sinclair in BCT's Suite Surrender |
By Tina Arth and Darrell Baker
2013 looks like the year that Beaverton Civic Theatre really
puts itself on the map. In January, we thoroughly enjoyed Director Doreen
Lundberg’s remarkable 60-minute cutting of The
Miracle Worker, which was entered in Oregon’s
American Association of Community Theatre Festival. On February 2nd,
in competition, this cutting garnered awards for directing, lighting design, and
fight choreography, as well as the state-wide Best Actress Award for Hayley
Rousselle’s portrayal of Helen Keller. Later this month Beaverton
takes the show on the road as they advance to the regional competition in Richland, Washington.
This heady success is followed by Suite Surrender, the first show of BCT’s fifth season. Friday
night’s opening performance brought truly a full house – what a pleasure to be
asked to move over a few seats to make room for the last arrivals! The next two
hours flew by; perhaps the strongest cast we’ve seen on BCT’s stage kept the
audience in stitches with playwright Michael McKeever’s hilarious WWII era
comedy of errors. In a nutshell, two
aging actresses, bitter rivals, are accidentally placed in the same suite at a
luxury hotel. Two befuddled bellhops, two secretaries, and one hotel manager
are pushed to the brink by the challenge of keeping the divas apart. Slamming
doors, a flying dog (stuffed, of course), a frequently concussed gossip
columnist, star-crossed lovers, disappearing roses, and a fair amount of gin
help to propel the story to its surprising conclusion.
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Tony Smith as Otis and Aaron Morrow as Bernard S. Dunlap
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Aaron Morrow anchors the cast as hotel manager Bernard S.
Dunlap. More than any other cast member, he bears the burden of somehow
preventing the disaster looming on the horizon should the two actresses cross
paths. As the show progresses, he moves from officious confidence to
sweat-soaked anxiety with a deft comic sensibility. Both BCT veterans, bellhops
Otis (Tony Smith) and Francis (Scott Kelly), give the best performances we have
seen them deliver on local stages. Smith’s doddering, confused persona and distinctive
phrasing create a uniquely appealing character. Kelly gives us a worldly and
sardonic ingenue with a real flair for physical comedy. The hotel owner’s wife,
Mrs. Osgood (Mary Weigel), is a star-struck social climber whose loud, shrill
and pretentious delivery highlights her total lack of social grace. Her gauche
behavior is more than matched by Jessica Reed as reporter Dora del Rio, who recognizes no boundaries and pays with numerous
contusions.
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Matthew Sunderland as Mr. Pippet |
The actresses’ two beleaguered personal secretaries carry a
fair share of Suite Surrender’s comic
load. Amanda Clark (as Murphy Stevens) utilizes her marvelously mobile face
(those eyes!) to shift from panic and angst to love-struck ardor. Her
counterpart Matthew Sunderland (Mr. Pippet), seemingly genderless and acutely
aware of the extent to which he is underappreciated, is funny throughout but
nowhere more than in the scene with Kelly and the red roses (go see the show
for this, the biggest laugh of the evening).
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Donna Haub as Claudia McFadden |
Finally, the divas – two fine actresses, playing actresses
acting. Deborah Leinen’s Athena Sinclair is a demanding cougar whose aversion
to white roses is matched only by her affinity for self portraits and young
men. Leinen’s broad delivery effectively captures the comic potential of the
role. It is only the strength of the rest of the cast that prevents us from
saying that Donna Haub (as Claudia McFadden) steals the show. She is dry,
subtle, and acerbic – her timing is wonderful, and she is able with the lift of
an eyebrow to create her wry, yet mysteriously likeable, character.
Director Kraig Williams shows a good eye for casting and
character development, and he manages to walk the fine line between comedy and
slapstick. He will be filling in as Mr. Pippet for the second week of the run,
and we are tempted to see the show again just to find out how he will interpret
the role. Production designer Marion Kessler and her crew of able assistants
have created a beautiful set that accommodates a lot of action in the very
limited space available.
Suite Surrender is
on stage through Saturday, March 16
th at the Beaverton City Library
Auditorium.
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