Max Nevers ("Dewey") with ensemble. Photo by Frank Hunt. |
By Tina Arth
For sheer, unbridled energy nothing beats a stage full of
tweens and teens giving their all to a rock musical. STAGES Performing Arts
Youth Academy taps into this excitement with School of Rock, The Musical –
Youth Production. Director and choreographer Luis Ventura, vocal director
Barbara Edwards, and music director Joe Aloia have done a great job of molding
28 young actors into a raucously cohesive unit that swarms over the stage at
Hillsboro High.
It’s actually quite a coup for STAGES to have gotten the
rights – while the full musical is playing on Broadway, only a small number of
theaters nationwide are cleared to do the Youth Production; STAGES is the only
theater group in Oregon to have earned this privilege. There are strings – they must use a live band
(no karaoke allowed!) and they need more audience capacity than HART, where
they usually do their shows, can offer.
The show is based on the popular 2003 movie starring Jack Black, and playwright
Julian Fellowes retains much of the feel of the movie. While some of the
movie’s original songs are retained, many of the show’s songs were newly
written by composer Andrew Lloyd Webber and lyricist Glenn Slater.
The story revolves around failed rock singer/guitarist Dewey
Finn (just kicked out of the band “No Vacancy”). To earn some cash, he poses as
substitute teacher Ned Schneebly at the elite, private Horace Green School.
Within a short time, Dewey wins over the skeptical kids in his class – they
become his co-conspirators, pretending to be learning mathematics while Dewey
is actually transforming them into a rock band, a hard-headed manager, back-up
singers, and roadies worthy of the upcoming Battle of the Bands. After some
early clashes with principal Rosalie Mullins, Dewey discovers the uptight
woman’s two weaknesses – beer and Stevie Nicks – and ultimately gets her
support of his unorthodox activities. In a moment reminiscent of both The Music Man and The Mighty Ducks, the underdogs prevail, horrified parents become
ardent fans, and kids with low self-esteem find themselves accepted and loved.
In a huge cast, a few roles and performances are real
standouts. Caitriona Johnston (“Principal Mullins”) is a confident and dynamic
actor, and she handles the vocal demands of the role with ease. Max Nevers
(“Dewey”) is at his best when showing off his dancing (and leaping, and
falling) skills – his vocals are sometimes rough, but the role does not demand
a perfect voice (he is, after all, playing a rock star). Rylie Bartell (as the painfully
shy new girl, “Tomika”) is a joy to watch and listen to as she finds her voice
and earns a solo with her lovely rendition of “Amazing Grace.” While Jolee
Morris (“Summer”) doesn’t have a big singing role, she does a fine job of
transforming herself from an uptight, Harvard-bound snob to a fiercely
determined band manager.
The cast and crew make good use of William Crawford’s
simple, flexible set design. Costumes (designed by Luis Ventura) are effective
at capturing the elite private school ambiance.
On the night I saw the show, there were some problems with
the microphones that made it difficult to understand all of the lyrics (and
even some dialogue). While the pit band does a great job of capturing a
pounding rock ”wall of sound” effect, they might be well advised to turn down
the amplifiers to accommodate the weaker microphone system if these problems
persist.
The STAGES program does a great job of offering
opportunities for Washington County kids to work on and around live theater
stages. Productions like School of Rock
are a great argument for providing arts in our schools and communities, and the
best way to show your support is to go see the show. I promise you’ll have a
good time!
STAGES production of School
of Rock – Youth Production is playing at Hillsboro High School, 3825 SE
Rood Bridge Rd. through Sunday, November 20th with shows at 7:30
p.m. on Friday and Saturday and matinees at 2:30 p.m. on Sunday.
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