Picture (from top left, clockwise) is of Joey Copsey, Peter Schuyler, Cassie Greer, Morgan Cox, and Jessi Walters. |
By Tina Arth
Hillsboro’s Bag & Baggage Theatre has faced some huge
challenges in the past year – like opening night of an outdoor performance
forced by rain to quickly adjourn to the barren concrete floor of their
unfinished new theater space. However, that was nothing compared to the fancy
footwork required to re-imagine the staging of their current production of Brontë from the venerable Venetian stage
to the Hillsboro Public library. Guest Director Michelle Milne, her cast and
crew, and the library staff are collaborating to make this production of
British playwright Polly Teale’s 2005 play an amazingly engaging and thought-provoking experience.
Better yet, the evening flows so smoothly, and provides such an intimate
experience for the audience, that one imagines a conventional production might
seem slightly static and sterile by contrast.
Brontë tells
the sometimes accurate, sometimes fictional tale of the Brontë sisters
(Charlotte, Emily, and Anne), their father Patrick, brother Branwell, and
curate Arthur Bell Nicholls living and dying in isolation on the Yorkshire
moors. A constant unspoken theme is the
effect of Victorian sexual mores on the three women’s lives and work.
Ironically, the sisters’ degree of repression and introversion is inversely
proportional to the scandalous and sexualized tone of their writing. Cassie
Greer’s bold, adventurous Charlotte produces the critically acclaimed, but
relatively tame Jane Eyre. Morgan
Cox’s brilliant but very private Emily shocks the literary world with the fierce
passions of Wuthering Heights.
However, it is Jessi Walters’ gentle, timid Anne who thrusts themes of domestic
abuse and debauchery – hardly topics for polite society – center stage in The Tenant of Wildfell Hall.
Without sets to create atmosphere, the audience is required
to rely on imagination and a forest of books – just as the real Brontë
sisters used imagination and their father’s extensive library to break the
boundaries of their narrow world and create some of the most passionate fiction
of the 19th century. While the audience moves about in the library,
the story also moves freely, jumping forward and backward in time and interspersing
frequent cameos by characters from the sisters’ most iconic novels: Cathy and
Heathcliff from Wuthering Heights,
and Jane, Rochester, and Bertha from Jane
Eyre.
The acting is every bit as good as we have come to expect
of a Bag & Baggage cast – Greer, Cox and Walters capture the three sisters
personas flawlessly. Peter Schuyler transitions easily from the upright and
autocratic Patrick to the brooding, volatile Rochester and the timid,
lovestruck Nicholls. Joey Copsey is at his best as Branwell, who moves from
boyish exuberance and abandon to dissolute alcoholism when his father’s
ambitions send him out of the protection of the family home and into the harsh
realities of the outside world. Jenny
Newbry’s take on Cathy is spot-on – an eerie mixture of passionate abandon and
barely controlled hysteria. Newbry’s Bertha is a bit tougher to accept, perhaps
because in the library setting we are a little too close to her as she crawls
madly around a series of rooms.
Melissa Heller’s costumes are just detailed enough
to suggest each change in character, while allowing for the rapid changes
required by the play’s unique staging. Violinist Taylor Neist expresses the
ever-changing moods of the story, evoking especially well the darker moments,
starting strong and then fading as only a violin can.
The structure of the production limits the audience
to 60 people per night, so it’s advisable to purchase tickets early. Even if Brontë should
happen to be produced again locally, it may never get the kind of progressive
treatment that Michelle Milne gives it. The audience is called on to walk
enough that sensible shoes are strongly recommended!
Bag & Baggage’s Brontë
is playing at the Hillsboro Public Library, Brookwood branch, with performances
at 7:30 P.M. on March
10, 11, 12, 17, 18, 19, 24, 25, and 26.
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